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In order to create new things, a certain amount of destruction is necessary. 
In the most impressive places or realisations that surrounds us, this tribute is undissociable.  
The monumental constructions have engendered death of workers, sacrifices,
use of energy and material, therefore wastes of all kinds. 
In the Joseph Adams Galerie of Prague, a cultural symbol, perception of the space
has been altered by the reversed copy of the ceiling, cracked down on the floor. 
The displaced elements reveal a counterpart to the symbol.